#Generate email threads

[ericka-kinney]

A lecturer at my uni accidentally sent an email to everyone in the entire university (easily 25k+ people) and it took hundreds of people replying before people started to realise that only the 'reply all' function was enabled.

So every single reply sent to this email has been sent to every member of the university.

It's gone from emails saying 'hey I don't think this email was meant for me as I do [insert degree here]', to emails telling people to stop replying to the email, to emails telling people to stop telling people to stop replying to the email as they've become a part of the problem rather than the solution.

And now someone's figured out the mailing list that the lecturer accidentally used, and has sent out an email simply titled 'peepeepoopoo'.

Anarchy is ensuing.

[makereadgrow]

RIP Joann, now what?

I wanted to make a post I could copy and paste and or link when I see folks asking where to buy fabrics when Joann is gone. I sew a lot, generally between 100-200 items a year and I don't do it on a big budget. Stores are not in a particular order.

Notions:

Wawak.com - start here, mostly stay here. Wawak is a supplier for professional sewing businesses and have the prices that show it. I will not pay for gutermann Mara 100 anywhere else. I buy buttons, tools, thread, and most elastic here.

Stitch Love Studio - this is where I buy lingerie supplies https://www.etsy.com/shop/StitchLoveStudio?ref=yr_purchases

Fabric:

Fabric Mart - this is one where you want to sign up for emails and never buy unless its on sale. They run different sales every day and they rotate. Mostly deadstock fabrics but I buy more from here than anywhere else. Fantastic customer service and if you watch you can get things like $6 wool suiting or $4 cotton jersey. https://fabricmartfabrics.com/

Fabrics-Store - again, buy the sales not the full price. Sign up for the emails but redirect them to a folder because it is TOO MANY. They stock linen or good but not amazing quality. https://www.fabrics-store.com/

Purple Seamstress - This is where I buy my solid cotton lycra jersey. They have other things, but the jersey is what I'm here for. Inexpensive and very good quality. If you ask she will mail you a swatch card for the solids. https://purpleseamstressfabric.com/

LA Finch - deadstock fabrics with a fantastic remnant selection https://lafinchfabrics.myshopify.com/

Califabrics - mix of deadstock and big brands, easy to navigate and always seem to have good denim in stock. https://califabrics.com/

Boho Fabrics - good variety, nice bundles. I have also gotten some really great trims from here. https://www.bohofabrics.com/

Firecracker Fabrics - garment and quilting fabrics, really nice selection and great sale section. I've bought $5 yard quilting cottons here several times. https://www.firecrackerfabrics.com/

Hancock's of Paducah - Quilting fabric and some limited garment fabric. AMAZING sale section. Do not sleep on the sale section. This is my first stop when buying quilting fabrics. Usually the last stop too. Not particularly speedy shipping. https://www.hancocks-paducah.com/

Itokri - This is something a little different. Itokri is an Indian business with incredible traditional fabrics. Shipping to the US is expensive, but the fabric is so inexpensive it evens out. I generally end up paying like $30 for shipping. Beautiful ikat and block prints. https://itokri.com/

Miss Matatabi - this is a little treat. This isn't where you go to save money, but there are so many beautiful things in this shop. Ships from Japan incredibly quickly. https://shop.missmatatabi.com/

Lucky Deluxe - Craft thrift store, always has an incredible selection and fantastic customer service. I need to close the tab fast because I never go to this website without finding something I need. https://www.luckydeluxefabrics.com/

Swanson's - the OG of online craft thrift stores, but I find their website harder to navigate. https://www.swansonsfabrics.com

Honorary Mentions: I haven't shopped at these places yet but I have had them recommended and likely will at some point.

A Thrifty Notion - https://athriftynotion.com/

Creative Closeouts - https://creativecloseoutsfabric.com/ being rebranded to sewsnip.com on March 1 - quilting deadstock

Hawthorne Supply Co. - I just got this rec and I think I need to not look too closely or I'm going to slip with my debit card. https://www.hawthornesupplyco.com/

This is not an exhaustive list of everywhere you can buy fabric, or even a full list of where I shop. There are SO many options out there in the world. You also need to think outside the fabric store box. I thrift men's shirt fabrics for quilts and sheets for backing fabric. I don't do a ton of in person thrifting and my local stores don't get a lot of craft materials but every thrift store is its own universe and reflects the community it is in. Go out and find something cool.

Oh and final note: Don't shop at Hobby Lobby.

[marlynnofmany]

In the interest of not derailing this already-long-and-awesome thread, here are some more details! (Paging @sparrows-corner and any other interested parties.)

So in my first semester of college, I took an Intro to Psychology class. I didn't expect anything special; it was just one of those general education courses that everybody was supposed to take at some point. But it turned out amazing.

What the general public didn't know at that point was someone in the college administration had screwed up and forgotten to assign a teacher to this class. Until a week before class. When several students emailed to ask why that detail was missing in the online listing.

The administration panicked, scrambled for someone-anyone-omg-who-can-drop-everything-and-teach-this-class. They called recently-graduated owners of Masters Degrees in teaching.

They found Sandy.

She was qualified and available, and much older than the average recent grad, with the confidence to go with it. This was still a daunting task, though, and she agreed on one condition: that she team-teach the class with a friend of hers who was still working on finishing his degree.

Having no other choice and seeing no real problem with this, the administration agreed. And thus was born the most glorious educational comedy act in my entire academic career. The two of them were a delight. They knew all the stuff they needed to teach, and they knew a great deal more, and they delivered lectures in a way that had everyone paying eager attention. It was great.

This friend, by the way, was awesome in his own right. While Sandy was a curly-haired white lady around middle age, Wayne was a black guy who (1) dressed in impeccable suits and (2) had cerebral palsy.

I think a lot of 18-year-old minds were quietly enlightened about a few things just from watching these two banter back and forth, one with joints more wobbly than the other. Wayne told a memorable anecdote at one point about stopping by a grocery store in sweat pants instead of his usual classy wear. The cashier asked some gentle question about what he spent his time on, assuming that he had some sort of carer following him around. The expression on her face when he told her that he taught college was one I'll never forget, and I didn't even see it.

Anyways, at the end of this semester, the two teachers asked a few of us smart kids if we wanted to be TAs (teaching assistants) for the next semester. Since most of us had already become friends during the make-a-group-and-discuss-things portions of the class, this sounded like a party that would look good on our records later. And it really was.

I TA'd for that class a few times in a row, with my buddies and the two very cool teachers. We met up outside of class for holiday parties and everything.

And, since this was during the time the Lord of the Rings trilogy was first coming out in theaters, we all dressed up in costume and went to an early screening together.

Wayne drove. His handicap placard meant we got to park at the front, which was pretty awesome.

Now, I'd met people before who knew more LotR lore than I did, but they all paled in comparison to Sandy. As I said in the notes on that other post, she shared some stories of her youth with us. When she was fourteen, she ran away to join a hippie commune. She already knew fluent elvish, and she used that to help the commune's drug-runners stay out of the clutches of the cops, by translating their drug notes into a language the cops couldn't read. With a start like that, it was unsurprising that she still knew elvish now, along with all sorts of fascinating deep lore.

She had a limited edition book that looked shockingly expensive. She made beeswax candles for all the TAs as holiday gifts, with our names written on them in elvish. I still have mine somewhere.

I haven't heard from any of these lovely people in a long time, since college moves on and so does life, but I will treasure those memories forever. I hope Sandy and Wayne and the others are doing well. They deserve the best.

[maaarine]

'We Can Bury Anyone': Inside a Hollywood Smear Machine (Megan Twohey and Mike McIntire and Julie Tate, The New York Times, Dec 21 2024)

"Last summer, as the release of “It Ends With Us” approached, Justin Baldoni, the director and a star of the film, and Jamey Heath, the lead producer, hired a crisis public relations expert.

During shooting, Blake Lively, the co-star, had complained that the men had repeatedly violated physical boundaries and made sexual and other inappropriate comments to her.

Their studio, Wayfarer, agreed to provide a full-time intimacy coordinator, bring in an outside producer and put other safeguards on set.

In a side letter to Ms. Lively’s contract, signed by Mr. Heath, the studio also agreed not to retaliate against the actress.

But by August, the two men, who had positioned themselves as feminist allies in the #MeToo era, expressed fears that her allegations would become public and taint them, according to a legal complaint that she filed Friday.

It claims that their P.R. effort had an explicit goal: to harm Ms. Lively’s reputation instead.

Her filing includes excerpts from thousands of pages of text messages and emails that she obtained through a subpoena.

These and other documents were reviewed by The New York Times. (…)

Mr. Baldoni was best known for the CW satirical romantic dramedy “Jane the Virgin.”

Wayfarer provided the resources for bigger ambitions. It was bankrolled by the billionaire Steve Sarowitz, who is co-chair of the studio with Mr. Baldoni.

They and Mr. Heath, the chief executive, are all deeply involved with the Baha’i religious organization, which promotes unity, peace and gender equality.

Mr. Baldoni has presented himself as an ally to women, writing books, co-hosting a podcast with Mr. Heath and giving talks on toxic masculinity. (…)

She claimed Mr. Baldoni had improvised unwanted kissing and discussed his sex life, including encounters in which he said he may not have received consent.

Mr. Heath had shown her a video of his wife naked, she said, and he had watched Ms. Lively in her trailer when she was topless and having body makeup removed, despite her asking him to look away.

She said that both men repeatedly entered her makeup trailer uninvited while she was undressed, including when she was breastfeeding. (…)

As the film release neared, Ms. Lively and other cast members informed Sony and Wayfarer that they would not do any appearances alongside Mr. Baldoni.

So did Ms. Hoover, the author, who had her own dissatisfactions with him and had become more upset after he told her about Ms. Lively’s allegations, according to text messages from Mr. Baldoni and Mr. Heath.

By the first week of August, Wayfarer and Mr. Baldoni had retained Ms. Nathan, who had worked with high-profile clients including Mr. Depp, whose ex-wife, Amber Heard, accused him of physical abuse. (…)

Three days later, Mr. Baldoni texted Ms. Abel, flagging a social media thread that accused another celebrity of bullying behavior and had generated 19 million views. “This is what we would need,” he wrote.

Ms. Nathan soon floated proposals to hire contractors to dominate social media through “full social account take downs,” by starting “threads of theories” and generally working to “change narrative.”

“All of this will be most importantly untraceable,” she wrote. (…)

When Ms. Abel wrote to her Aug. 4 that “I’m having reckless thoughts of wanting to plant pieces this week of how horrible Blake is to work with. Just to get ahead of it,” Ms. Nathan replied that she had spoken off the record to an editor at The Daily Mail.

“She’s ready when we are,” Ms. Nathan wrote.

A flurry of articles followed the Hollywood Reporter piece. Many made it seem as if the only rift was over creative control.

Some journalists had gotten wind of complaints about Mr. Baldoni’s behavior, but none of the most serious ones were published.

“He doesn’t realise how lucky he is right now,” Ms. Nathan texted Ms. Abel. (…)

It is unclear exactly how Mr. Wallace operated.

There are references in emails to “social manipulation” and “proactive fan posting,” and text messages cite efforts to “boost” and “amplify” online content that was favorable to Mr. Baldoni or critical of Ms. Lively.

“We are crushing it on Reddit,” Mr. Wallace told Ms. Nathan, according to a text she sent Ms. Abel on Aug. 9.

The next day, one of Ms. Nathan’s employees texted, “We’ve started to see shift on social, due largely to Jed and his team’s efforts to shift the narrative.”

Ms. Nathan wrote to Ms. Abel: “And socials are really really ramping up. In his favour, she must be furious. It’s actually sad because it just shows you have people really want to hate on women.” (…)

On Aug. 16, Ms. Nathan shared the Daily Mail article headlined “Is Blake Lively set to be CANCELLED?�� with references to ‘hard to watch’ videos and a ‘tone deaf’ promotional Q. and A.

“Wow. You really outdid yourself with this piece,” Ms. Abel responded.

“That’s why you hired me right?” Ms. Nathan replied. “I’m the best.”"

[artisimpossible]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[furiouszealot]

UPDATE: As of 25/04/2025, 4chan is back up and running again. This post and its addendum will be kept as is, and will no longer be updated unless it goes back down again. If you were on /ghost/, it was a pleasure shitposting with you.

All right, I know no one gives a shit, but let me give you a recounting of the fall of 4chan from the perspective of someone who was there and has been lurking both 4chan and tumblr for a few years now.

I'll try to provide as much context as I can, but a lot of images were either lost or im too lazy to look for them in the +5000 reply thread in soyjak party.

Anyways, info below:

So, necessary context: a few years back, 4chan had a board called /qa/, which if you know little about the page, you may think every board is like /b/ or /pol/, which means a containment cess pool of grifters, (you) baiters, incels, and other deranged individuals. The thing is, /qa/ was somehow worse. The entire board was plagued and infested with soyjack edits, board culture was a nuclear disaster, anons were incredibly hostile in there, you know the drill, the big bad 4chan, but this time its actually true.

One day, moderation deleted /qa/, anons that posted there got mad, tried to raid other boards, failed, and then moved on to an altchan called soyjack party, which entire purpose you can guess from its name alone.

Apparently, the boards that allow pdf uploads (paper and origami, for example) didn't check if the uploaded file was actually a pdf file, so postscript files could be used to get access. This is as far as my understanding of web backend goes, sorry.

The hacker claims to have been working on this since 2021, and that he had access since about a year ago, but was recopilating data.

Now, what actually happened when the hack ocurred? Well, a banner of miku dancing with a song that played automatically was placed on top of every board, with the text "/QA/ IS BACK", this was possible because apparently no board was ever deleted, they were just hidden from the public.

A thread was then made on soyjack party, claiming authorship over the hack, and shit went south from there. Anons went en masse to talk there, a lot of weird discussion happened, the thread got the bump limit removed and got pinned, more than 5k posts were amassed on the first night alone. Keep in mind this happened at about 8 pm and most of the stuff went on through midnight.

So, the hacker leaked some things, first of all, the html files for the entirety of /j/ and the email address for every moderation member (important note: the pressence of .gov mails was disproven by the hacker themselves, so i guess there were never any feds), what is /j/? the board exclusive for jannies and moderators to discuss actions taken on the website regarding spam, ban evaders, threads spiraling out of control, etc. Among other things, some of the inner workings of 4chan got revealed, such as the web extension for jannies that allows them to do their job easily, how reports are handled, and other stuff. (Anecdotically, some guy got permabanned for calling anons jews or n-words over a 100 times in the same few threads)

Then, the source code got leaked. Important to say, the hacker removed the part of the source code related to the captcha, as to not facilitate bot attacks on the future, and all information related to email verification or 4chan pass users information also got removed, so all in all users are safe.

What was found on the sourcecode? That it was old, mostly. Most boards used code that hasn't been updated since about 2016, and /flash/ used the exact same code from when it was created back on 2011.

From there, desuarchive, a site that archives threads that die from bump limit, opened a dragon ball general on ghost mode, and thus began what later got called /ghost/, a solely text based thread with well over 20k replies as of right now, where a fraction of the 4chan population took refuge and is currently discussing random things with no particular topic. Kinda hard to read, but its comfy.

What does this mean for other sites? Not a lot, really. A lot of anons already crossposted in 4chan and tumblr already, and the ones that din't most likely wont come here. Some of the bigger/most dedicated groups, like /vt/, migrated to other boards. Various altchans are trying/tried to catch some of the flock of users that got lost, but i doubt it will get anywhere, since soyjak party for example was struggling with just the influx of users that came for the hack thread given its poor infrastructure. Kiwifarms saw a surge of new accounts apparently, but a lot of anons kinda loathe the idea of having to register, so theres that.

Smaller communities, such as generals that didn't get a lot of traffic, or boards on the slower end (say, /ic/, /lit/, etc) will probably vanish or disseminate until (or if) 4chan comes back up. I'd say give it a month, don't get your hopes up whether you want it to stay dead or want it to come back.

Given how many anons are staying on places like /ghost/ or other similar archives with the same ghost posting feature, i doubt it will be as bad as people are making it sound. Besides, the communities that are most likely to migrate to places like tumblr are either /co/, /vg/ or /lgbt/ refugees, which aren't THAT bad. Not every board was like the main cesspools (/b/, /r9k/, /pol/).

From now on, either 4chan comes back up in a few weeks (somewhere between 2 weeks to a month is expected), altchans capture the migrating anons, or a brand new imageboard rises from the ashes to become the new go-to site for old 4chan posters.

In conclusion, nothing ever happens, but also don't worry, chances are this won't affect tumblr in the slightest. If it does, you can cash in your "you were wrong" ticket whenever you want, i'll take the L.

As a footnote, keep in mind: NO users were compromised, if you ever posted there and are worried for your safety, physical or digital, you are safe.

Edit: Forgot to add, if you are a 4chan refugee, im BEGGING you to dm me and tell what board you were from and where are you migrating, if at all.

[sarcasticscribbles]

BOYCOTT EUROVISION FOR ISRAEL PARTICIPATION.

I am the Eurovision gay this time of year, I love this show. Not only is my country hosting 2024 but it's also in a city I love, but I can't watch as people sing about peace and love while Palestinians are getting killed by one of the participants.

I've complied a couple of petitions, open letters and information regarding Eurovision: Eurovision isn't the highest priority regarding Gaza, but this show is marketing & tourism for countries, Israel is using it to pink wash their politics

According to SVT, Swedish television network in charge of Eurovision 2024 in Sweden Malmö, Eurovision is apolitical, and therefore Israel qualify. They refer to any calls for boycott meaningless ( via )

SVT statement:

[ID: "SVT statement on the debate over Israel’s participation in the Eurovision Song Contest

Israel’s participation in the Eurovision Song Contest is generating debate and today a number of Swedish artists have called on the EBU to cancel Israel’s participation in the Eurovision Song Contest 2024. It is the EBU’s decision which public broadcasters may take part in the event, and as the host broadcaster, SVT follows the EBU’s decisions. The humanitarian suffering in this deeply complex conflict is devastating. Nobody can be left unmoved by the current situation in Gaza, or by the Hamas attack in Israel. We are also concerned about these developments. We understand and respect that groups of people wish to make their voices heard. As the host broadcaster, SVT has an ongoing dialogue with the EBU about the challenges of producing Europe’s largest TV-production in times of unrest. We are humbled by the task and are working to ensure the project can be carried out in the best way possible, with the vision that music unites." END ID]

Eurovision has always been political, and was created as a celebration of peace after WW2. Songs are statements, and EBU took action by banning Russia and Belarus for the invasion of Ukraine. It's a way to show sympathy and solidarity, which Gaza is in need of now.

Why Eurovision is so important to Israel is the opportunity of pink washing, and appearing liberal and LGBTQ-friendly, that the show encourages. This leads to great marketing and tourism for the country, alqueerian on twitter did a great thread about it:

[ID: Tweet from @ alqueerian on X formerly known as Twitter. Tweet: "A really quick thread on pinkwashing and why it’s wrong: pinkwashing is a term that was coined by LGBTQ Palestinians to specifically refer to the use of homophobia as a justification for israeli war crimes, ethnic cleansing, mass displacement, starvation etc." END ID]

Full thread

WHAT YOU CAN DO:

Here are a couple of petitions, open letters and links to encourage the ban of Israel in Eurovision

And if all fail: we boycott

Here are two petitions for the ban of Israel: Petition 1

Petition 2

A list of emails and contact information for broadcasters regarding Israel participation: copy, paste and send. Document

It's created by verilybitchie on YouTube who also made a great call to action video I can recommend

[ID: Screenshot of verilybitchie youtube video "Genocide at the Eurovision Song Contest". The video is showing an article by Chris Lockeyer, news reposter, titled "Israel to compete at Eurovision despite boycott threats" The article says: "The European broadcast Union said its member organisations approved Israel's participation in the competition and it remains aligned with other competition organisations on its stance." The article is from December 19th, 2023. END ID]

And for Swedes, I think it's extra important for us to speak up; here's what we can do:

Open letter via Björk & Frihet, a charity in Skåne offer letters to sign but also have pdf version to print at home!

[ID: Photo from Björk & Frihet, a swedish charity offering open letters to sign to send to the government. "Stoppa folkmordet" as the letters are ladled, means "stop the genocide" END ID]

This is also a letter regarding the contest being held in Malmö, a city with a long history fighting for Palestine! Sign here

[ID: Vote for Swedes in Malmö to sign to protest Israel's participation in Eurovision. END ID]

Meanwhile, don't forget your daily clicks to help Palestine while we wait for EBU to stand by their words and prove we are united by music!

[ID: Iceland's Hatari holds up Palestinian flags during Eurovision in Tel Aviv, May 19, 2019. END ID]

[ms-demeanor]

Hi! You’re in the LA area, right? I hope you and your family are okay.

Unrelatedly, I ran across a thread on Mastodon about Proton Mail, which I think you’ve talked about before, and was curious what you make of it / how credible it is: https://code4lib.social/@inthehands@hachyderm.io/113838748729664639

I'm fine thanks! Worried about some friends but I'm good.

I think that thread is not incorrect, but is also bullshit.

Email protocols do not allow for 100% anonymous communication and never will, when Proton was subpoenaed for user data that ended up with some French climate activists getting prosecuted they were transparent about what was requested and updated their logging rules to store less data. *Starting* from the assumption that protonmail is supposed to be totally secure OR sells itself as totally secure is disingenuous.

The great thing about open source software is that you never have to trust a shithead CEO when they talk about what the software does. I get why people are angry at the CEO (I think the CEO is at least half wrong in that he is claiming that Republicans will challenge monopolies, but he's not wrong about the destructive corporatism of the Democratic party even if he is *in essence* wrong about which party is more likely to gesture in the direction of breaking up tech monopolies) but A) the thread says that proton's software is "opaque" and it just. Literally is not. and B) that thread links to another thread talking about how what proton is selling is trust and nope. They don't have to sell trust; you can see what their software does if you choose to investigate it, there's no need for trust when you can verify. What they're selling is transparency and from where i'm standing they are indeed quite transparent.

God. Imagine thinking that a zero trust service is selling trust.

So I think the argument that "protonmail actually isn't as secure as it claims" is bullshit that people bring up whenever they're mad at the company (whether they have legitimate reasons to be mad at the company or not).

For the record: you should never, ever, EVER treat email as a secret. Nothing you do over email is really secret because *the rules that allow email to function as a service* require at least some very sensitive information to be an open part of the protocol.

The Proton page on end to end encryption is *very* clear that it is the contents of your email messages that are encrypted, not your email as a whole, and in the image they use to illustrate this the parts of your email that *cannot* be made private (sender, recipient, subject line, time sent) are shown unencrypted:

They're not subtle about letting people know this. Nor are they quiet about the fact that replies to encrypted emails are not encrypted by default.

So the thread is *technically* correct in that all the security "holes" described reflect reality, but it's correct like saying "McDonald's says that you can eat their food for every meal and you'll put on ten pounds of muscle but ACTUALLY putting on ten pounds of muscle requires a huge amount of dedication and a very careful diet and a lot of resistance exercise" - like, I guess yeah that's what you have to do to put on ten pounds of muscle but where exactly was McDonald's making that claim? Did they actually make that claim or are general statements like "I'm Lovin' It" being misinterpreted in bad faith by people on the internet who are mad at something a CEO did?

So. Like. Yeah the CEO is being a shithead, the social media team made a pretty bad fuckup by doubling down on his shitheadery, the product still works as described, AND the thread discussing all of that is deeply annoying.

So.

I think this thread actually does a great job of explaining why I've never seen a "hackers for social justice" group that has lasted. This reminds me a LOT of when someone tried to say that you shouldn't use firefox because the former CEO was a homophobe. There are a lot of deeply shitty people who have made important contributions to our tech ecosystem and if we threw the baby out with the bathwater every time Notch from Minecraft ended up being Notch from minecraft you'd lock yourself out of a lot of really important tools. And this isn't the same as "buying harry potter merch funds transphobia" because it literally doesn't; especially with open source tools you can continue using the software and cheerfully hate the CEO because A) fuck that guy and B) what the fuck are you going to do about it, guy, this shit's encrypted.

I don't want to get too deeply into a discussion about what is or is not cancel culture, but what I'm seeing in that thread (and what I see coming up every time someone brings up the "But the French Climate Activists!" thing) is an attempt to prioritize political alignment over real-world utility. It's attempting to cancel a *genuinely useful tool* because someone involved in the development is an asshole.

By all means, don't give protonmail money if the CEO's trump-positive comments make you feel unsafe.

However: What service are you going to use that is as accessible and as secure to ensure that you actually *are* safe? There are alternatives out there. Do they actually do more than proton? Are they easier to use? Are they open source? One of the responses to that thread was "yeah, that dude seems shitty; i'd switch to another service if there was another one that I felt was as secure" and that's pretty much what I think the correct attitude is. (If you really, really still want to switch, Tuta has been the broadly recommended alternative to protonmail for years but at this point Proton has a suite of services that some users would need to replace, not just email)

IDK i think shit like this contributes to a lot of the bad kind of security nihilism where people are like "oh no, things will never be secure and even my scrappy little open source product is headed by an asshole, i may as well use google because everything sucks" when they should have the good kind of nihilism which is like "man, there are a lot of assholes out there and they're never going to stop being assholes; i'd better take proactive steps to act like the people who make tech stuff are assholes and operate from a better base of security at the start"

so the takeaways are:

Proton never claimed that anything but the message contents of your e2e encrypted messages are encrypted; as far as these things go, they do a pretty good job of being both secure and easy to use compared to other offerings.

Yeah the CEO is being kind of a shithead and I'm not a huge fan of that.

If you think the CEO is being a shithead and don't want to give the company your money, don't pay for their services, but the CEO being a shithead doesn't actually mean you can't trust their services; their services are literally built on zero trust, if the CEO literally wanted to hunt you down personally he wouldn't be any more able to decrypt your emails than he was before and he wouldn't be any more likely to respond to a subpoena than he was before (proton does respond to subpoenas when required but not otherwise; they've been compelled to produce more data in the last decade than before because law enforcement finally realized who they needed to yell at - one of the bigger issues here is the Swiss courts being more willing to grant subpoenas to international complainants than they were before)

The reason we don't go see hogwarts movies is because doing so gives JK money and that does actual real world harm; using firefox does not have an impact on Brendan Eich's ability to materially change the world. It is very weird that we're in a place where we're treating *open source encryption software that is simple enough for your grandma to use it* as though it is Orson Scott Card.

Sorry i'm still stuck on people thinking that proton, famously open source, is opaque, and that an encryption service with zero trust architecture is selling trust.

Anyway if you've ever got questions about security/privacy/whatever services privacyguides.org is a very reliable source.

OH I FIGURED OUT WHAT WAS BUGGING ME

There are a bunch of people discussing this talking about how the CEO's social media is what has made them feel unsafe and I'm going to be a dick here and say that facts don't care about your feelings.

The CEO saying stupid shit doesn't actually make you unsafe in a situation like this; if the CEO was a violent transphobe or aggressive racist or horribly misogynist that wouldn't actually make any of the users of the product less safe. That's why the SJ hacker stuff I've seen hasn't had much staying power; I think that groups that focus on making people feel included and welcome and safe to be themself within the group run into really big problems when there's a conflict between people in the group FEELING unsafe because of (genuinely important in many ways) cultural signifiers like political alignment and so in order to accommodate that feeling they end up doing things (like some kinds of collaboration/accountability practices, abandoning useful tools, WAY too much personal transparency and radical vulnerability for people who are doing crime shit) that ACTUALLY make them less safe.

The CEO being a shithead may make you feel bad, but moving to a less secure platform may actually be dangerous. One of these things can have a big impact on your life, and it is not the one that is happening on twitter.

Anyway. Email is inherently insecure and if you want a secure messaging tool use Signal.

If you are doing crime shit don't talk about it on the internet and DEFINITELY don't talk about it in any kind of unencrypted platform.

If you are a French climate activist who would like to not get arrested if Tuta gets a subpoena for data, use the email service in concert with tor and be cautious about senders/receivers and subject lines.

[dailyrothko]

Threats of tumblr dying are well known to people here but you never know, I didn't think anyone would try to get rid of the dept. of education either.

I don't know what to say about it, this is where I started and the place I like best, by far. I'd hate to lose tumblr, it's the least corporate feeling on social media sites and people here offer different kinds of perspectives than you generally find those other places. (Maybe it's because so many of us are poor)

Anyway, if you want to be in touch and we are gone here, dailyrothko is on Instagram, threads, and bluesky and I have an easy to remember email which is, dailyrothko at gmail. Say hello anytime.

I would love it if we all could migrate somewhere but that definitely didn't work last time in spite of the hyperbole surrounding "tumblr alternatives" perhaps because it's not as easy to make a social media site as people imagined and at that time people were divided on the art vs porn use of tumblr. Sadly. tumblr botched the changes so badly a lot of the artists left too.

But, perhaps there will be good alternative someday. Part of the charm of tumblr for me is the format. :Long before I left twitter (said instagram, wishful thinking), I already felt it was worthless for art blogging.

I may pin this for a few days just to get it seen but what will actually happen, I think no one really knows.

[oceangirl24]

AI Scraping Response from r/AO3 mods

AO3’s Data Was Scraped For AI: What To Know

News/Updates

Hi all—as you may be aware, there’s been an incident regarding the Archive’s data being used to potentially train generative AI.

It seems that a user by the name of nyuuzyou conducted an unauthorized scrape of the Archive, both artwork and writing (as well as at least seven other websites) and uploaded the dataset to the machine-learning website Huggingface. This only scraped publicly available works—archive-locked works do not appear to be a part of that dataset. The works in the set are from as recent as March of this year, and comprise all publicly available works before then.

AO3 is aware of this, and they have filed a DCMA takedown to Huggingface, where the data has been made temporarily unavailable (aka nobody is currently able to use it for training). In response, the uploader filed a counterclaim to try to get it reinstated—though as Huggingface’s Terms of Service don’t allow uploads of any content the uploader doesn’t own the rights to, it’s unlikely that their counterclaim will succeed. However, the user also uploaded the dataset to two more websites after the Huggingface takedown: modelscope and datafish. These two sites are based in China and Russia respectively, places that do not always respond to DCMA takedowns—however, the upload to modelscope does appear to have been taken down/deleted as of writing this. (We also cannot link to these websites as Reddit has them shadowbanned).

The website Paperdemon has more information about the timelines, other websites affected, and how to request a DCMA takedown to Huggingface (which will hopefully not be necessary, but a good resource in case the counterclaim succeeds.)

As scraping like this is unfortunately hard to control, the best option we can recommend as a subreddit is to lock your works to only be available to registered archive users (as they are less likely to be scraped, though this is not foolproof). For readers, if you do not have an account, you will need to make one to be able to view archive-locked works. You can find a link to our most recent invite request thread here, or add your email to the signup waitlist on AO3 to get an invite directly in a few days.

~Cthulu (and the rest of the mod team)

Original post is here.

[antimony-medusa]

*I emerge from several weeks of talking about conceptualizing my cubitos and who else populates their world and what the precise nature of the character is* Hello. Hi. It's time for my twice-yearly thoughts on RPF.

Okay so I was one of the people who was emailing Ao3 about it when we had all of MCYT wrangled into VBRPF going please please please please can we have our own server tags pleeeeeeease I promise it's not just video blogging rpf pleeeeeeease my streamer doesn't have wings in real life pleasssssseeee— and my general stance is that writing about Dream SMP characters is writing about characters, it's not RPF.

Not quite. It's not quite RPF. There is a meaningful distinction there, but it's not a really huge one. That distinction exists and is important to me in how I conceptualize those characters and whether I'm mentally going "okay I need to study lore streams for vocal patterns" for voice research or if I'm going "okay I need to pull up technocord logs " to get techno voice right. What I consider the authoritative canon "character" is a rp guy who spawns withers, not a real streamer in california with a little white dog.

But like I do multifandom exchanges and I wander into them with my cubitos clutched tight in my palms, and I see what other fandoms look like— and importantly, I see what other rpf fandoms look like— and guys, I think that line is legitimately blurry and I think that's literally fine. If I walk into a mulltfandom space with my guys they're going to squint at me and go "rpf fandom— kinda, I think" and I can go "hahaha, not quite", but also I do not blame other people for thinking this is RPF cause like— there are a lot of similarities!

What MCYT tends to classify as "RPF" is directly stories operating in a world where the characters are streamers, they post on twitter, they have lunch with the CEO of twitch. And anyone not writing that, is obviously not writing RPF. And that is not untrue, up to a point, but there is a broad category of fics that tend WAY harder into the pure fictional that are still considered RPF fandoms, if you actually check what other RPF fandoms are doing. There are 599 works in "Demon Shane Madej", many of which are in AUs that have no connection to the real world other than the character relationships, and they're still officially considered RPF.

I have a friend who's in a c-drama rpf fandom that has a rpf ship they really like, and a really popular thing is to take the various characters these actors have played (totally fictional characters from various media) and ship them together. And that's just a crossover of two fictional mediums, but because the thread connecting them is two guys in real life, that's considered RPF.

The banddom tags are absolutely COMPLETELY full of aus that are not set in the real world at all, no connection to the music industry, and what the people in those fandoms will say is like yeah, I have no idea about the real guy, I'm working with a character/persona who's put on for the stage and interviews and personas, and that guy is not REAL, who knows what the real guy is like, but like, I like the persona, I deal with the persona, and then they put that persona in an au where he kisses other personas— and this gets considered RPF.

Wrestler RPF is directly dealing with invented characters who are beating the bloody snot out of each other (hot), they have names like "the undertaker", dealing with scripted storylines, but it still get considered RPF.

And like, I look at myself as I am entering my third year of writing Technoblade most of the time, and what I'm doing here and— there are a lot of similarities in what I'm doing to what other RPF fandoms are doing. I'm a fan of the DSMP character but I'm also a fan of the guy, so I want to play in this extended universe, so I want to include nods to his other stuff. So I will pepper in a cheeky nod to the potato war here, I'll mention hypixel there, etc, kind of make an extended Technoblade universe. And I think that's not RPF (quite) because I'm working from a fictional canon that includes references to the potato war and hypixel etc, I'm just expanding on it, but like, this is literally what my friend in c-drama rpf does as well when she's writing aus about her guy. It's kind of close to RPF. That line is not really obvious to the casual viewer.

So I do not blame anyone else if they look at what we're doing and they go ah, nods wisely, you are a rpf fandom, I've seen this before, and we go um actually, hahah, you'd think that, but no, and then they nod and clearly do not understand how it's not a RPF fandom.

But the thing is it's literally fine if people think that, I think. RPF is not the end of the world. It's just a bunch of people working with people's various performancesonas and worksonas and having fun with it. Spoilers for mythbusters in the real world, but we now know that by the end of mythbusters adam and jamie were not really friends, but most of the mythbusters rpf keeps them as friends because that was the professional persona they provided for the camera, and that was the fictional world the writers wanted to live in. I don't think it's a problem if someone wants to write straight up streamer fic, you do you, and that's unequivocally RPF, but once you start getting into AUs and extended universes and bringing emduo content into qsmp and writing fic based on GIGS streams, the line legitimately gets WAY more blurry.

I think a bunch of fic (including my fic) can start to exist in a "both things are true" state where it's drawing from direct fiction but it's also drawing from a lot of stuff that other fandoms would consider RPF sources, and like, I don't mind this. I don't think it's bad if you're doing this too. We're not getting more DSMP content, the fandom police are not gonna turn up at your house if you want to pull strongly from minecraft monday for your fic. Do schlackity on QSMP. Do a DSMP extended future where tommy gets tubbo to marry him for a bit and then tubbo immediately demands a divorce. The canon of material we have to draw on is not something where big obvious lines exist between "rpf content" and "pure fiction" if you step at ALL outside of canon-compliant. Like fuck, in my very first DSMP longfic I included all these hermit cameos and mcc references which would make it RPF in any other canon, but also I was pulling mainly from the prison arc lore and beats and relationships for the core, which is NOT rpf, and at this point it is not worth the hassle in my head to draw a strong distinction between them.

It's kinda RPF. It's not quite RPF. It's fictional. It's based in the real world. It's all personas. it's drawing on off-lore-stream dynamics. It's drawing on scripted scenes where my streamer had his camera in lore mode. It's COMPLICATED to unpick and I legitimately think that's fine. RPF is literally fine, some people are gonna think we're writing RPF, it's not the end of the world. Just have fun with it.

[weirdmarioenemies]

Name: Spoing

Debut: Super Mario Galaxy

Spoing is a jumping spider! Though it's not quite a jumping spider, you know? Like how a lynx is a big cat, but it's not a big cat. You know. But even so, I would like to express my appreciation to real jumping spiders! With their extra conventional cuteness, they capture the hearts of even people who are scared of other bugs, and as such are ambassadors for the rest of spiderkind. A gateway to appreciating some other creatures, which some fools may call "less charismatic", as if it is not charismatic to, for example, dangle a blob of silk to catch moths like a little fisherman. Anyway, as president, I will make sure all jumping spiders are compensated for their services. In dollars.

I don't know if I'm just saying this because I've been replaying Galaxy recently and have a sort of recency bias, but Spoing really might be one of the cutest Mario enemies ever! We all know, we all love, the eyes-in-a-void face! And on a BUG? Yowza! I've seen that kind of face on crabs and sometimes bagworms (I think?) but I'm not sure I've seen it on any other arthropod, and ESPECIALLY not a spider. I don't know how Spoing would hunt. Would it just shove prey into the eye void? Is it also a mouth? That would be pretty awesome.

You know, their faces make them look kind of like funny astronauts... and they only have four limbs, not eight. Are these truly spiders? Were they once human, until something unspeakable happened? And will it happen to me someday? I hope so!

Spoings mainly appear in Space Junk Galaxy, which I think we on the Weird Mario Enemies Office Pizza Party Email Chain all agree is a really great galaxy, with impeccable vibes. It's space at some of its most lonely, as opposed to spectacle, and I REALLY appreciate the presence of spiders here. Spiders and their webs are always used to visually communicate the idea of a place or object being unused, abandoned. And this galaxy is just a bunch of forgotten debris, not inhabited by any sapient civilization! If moths are the mascot of empty wallets, spiders are the mascots of forgotten attics! Spoings to not seem to make webs, which, yeah, actively hunting spiders do not! But they might make Sling Pods. And Sling Pod Galaxy is... well, I don't want to use this post to criticize a galaxy that precious spiders may have had a part in designing. So I will move on to...

Name: Spangler

Debut: Super Mario Galaxy

Spoing's got an evolutionary relative, and rather than being a spider boing, this is a spider dangler! It at first looks like a recolor of Spoing, but it actually lacks the fuzziness of Spoing's abdomen, and it DOES have a big ol' spinneret, which it is always using to dangle on a silk thread! One big one, like a really long string cheese. These ones debut in Ghostly Galaxy, indicating that they are spookier than the more generalized Spoings. Is it the silk? Is silk Spooky? It is what ends up encasing the spider's prey... like a MUMMY! Maybe I'm on to something here!

I really like Spoing and Spangler, and that both exist! It may be sort of the same design for two different enemy behaviors, but they're both behaviors that make sense for the design, and it's a design I always love to see. It's like they're closely related species! Maybe a population of Spanglers was separated from the others and ended up in the more barren Space Junk Galaxy, where there was not nearly as much infrastructure to dangle from, and where only active hunting was a viable strategy. And over time, Spoings evolved from this population! Actually, maybe they even use the Sling Pods for hunting, when we're not looking, launching themselves at unsuspecting prey...

And just to make sure we're not appreciating fictional creatures over real ones too much, I should tell you that there is, indeed, a spider that slingshots itself at prey using its web. Sometimes reality is stranger than fiction. And it's often a spider's fault! The variety of ways in which different species use their silk is honestly one of the most incredible things in all of nature!

[kenyatta]

‘We Can Bury Anyone’: Inside a Hollywood Smear Machine (NYT)

There have long been figures behind the scenes shaping public opinion about celebrities — through gossip columns, tabloids and strategic interviews. The documents show an additional playbook for waging a largely undetectable smear campaign in the digital era. While the film, about domestic violence, was a box office hit — making nearly $350 million worldwide — online criticism of the actress skyrocketed. “He wants to feel like she can be buried,” a publicist working with the studio and Mr. Baldoni wrote in an Aug. 2 message to the crisis management expert, Melissa Nathan. “You know we can bury anyone,” Ms. Nathan wrote. In the following weeks, Ms. Nathan, whose clients have included Johnny Depp and the rappers Drake and Travis Scott, went hard at the press, pushing to prevent stories about Mr. Baldoni’s behavior and reinforce negative ones about Ms. Lively, the text messages show. Jed Wallace, a self-described “hired gun,” led a digital strategy that included boosting social media posts that could help their cause. [...] Three days later, Mr. Baldoni texted Ms. Abel, flagging a social media thread that accused another celebrity of bullying behavior and had generated 19 million views. “This is what we would need,” he wrote. Ms. Nathan soon floated proposals to hire contractors to dominate social media through “full social account take downs,” by starting “threads of theories” and generally working to “change narrative.” “All of this will be most importantly untraceable,” she wrote. [...] It is unclear exactly how Mr. Wallace operated. There are references in emails to “social manipulation” and “proactive fan posting,” and text messages cite efforts to “boost” and “amplify” online content that was favorable to Mr. Baldoni or critical of Ms. Lively. “We are crushing it on Reddit,” Mr. Wallace told Ms. Nathan, according to a text she sent Ms. Abel on Aug. 9. The next day, one of Ms. Nathan’s employees texted, “We’ve started to see shift on social, due largely to Jed and his team’s efforts to shift the narrative.” Ms. Nathan wrote to Ms. Abel: “And socials are really really ramping up. In his favour, she must be furious. It’s actually sad because it just shows you have people really want to hate on women.” When a TikTok sleuth started asking questions about Mr. Baldoni, Ms. Abel texted that “this girl is on a very dangerous crusade.”

[xoxoemynn]

Transcript of tweets below the cut but in short: calling makes the biggest impact, focus on DEI, you can call more than once, and you do not need to be in the US or have a Max subscription to call.

Everyone, I just talked on the phone to an absolute ally at Max, and they gave me extremely useful information! We need to be calling WAY more. It's a higher impact that most other things we can do. Here's the phone number: (855) 442-6629. But read on if you want to know WHY.

Every time Max receives a customer feedback call, that information is logged in the system. The info, *including all the details* is pushed to a server that relays it to the higher ups. They don't just get a tally of calls and general opinions—they get the full feedback.

And it's not just higher-ups at Max. Per the service rep, "it's actually read by the higher ups who are in charge of what happens within Warner Media/ Discovery."

The rep also suggested that particular types of feedback, especially those around DEI, might bear extra weight. They had to be a bit cryptic for job reasons, but they made this very clear.

They ask for an email but don't triage based on whether that email has a subscription. E.g., if you're outside the US and watch elsewhere, you can still call, and your feedback will still go up the chain.

In fact, the rep was very clear to encourage ALL people with feedback to call individually. And to keep calling! I asked whether multiple calls from the same person make a difference, and the answer was a clear yes bc the feedback gets shared as it comes in, not batched.

It's also worth noting that phone calls in general are always higher-impact than letters, online engagements, etc. This is true for political campaigns, and it's true here. There's a real cost to having people answering phones. It takes time, which equals $$.

So: Call. I know it sucks; I hate the phone too. If you have phone anxiety, you can also delegate to a friend and have them provide your name and email. If you *don't* hate making phone calls, ask friend for permission to call on their behalf!

I'll put together a little phone script shortly and add it to this thread.

Source

[shifting-shadows-writes]

the worst part of nano is that so many of us were sheltered kids with nowhere else we could get information.

nanowrimo seemed like probably the safest place for even a sheltered kid to be allowed access. it was just a writing site after all.

i was lucky enough to have the internet freedom to be able to make an alt email for myself, where i could post on nano and chat with friends without my parents reading it.

if they had found out i likely would have been banned from the internet for life.

(sometimes i wish they had. i wish they had known how much time in high school i spent getting groomed online despite thinking i knew internet safety rules.)

i had friends on there who had to regularly delete their posts, delete their accounts, clear their browser history, etc.

we had to encode names of threads like the lgbtq one so that we wouldn't be outed to our parents. many of us learned what being queer was through nano. many of us found our own identities there. not just queer identity either--that's just a thread i spent my fair share of time on.

we didn't have trusted adults offline that we could tell what was going on when something didn't feel right. we sometimes had each other. we never had the mods.

i think about the young teens who joined nano and discovered themselves and made their first friends. myself at that age.

and now i can't help but think about all the new generation of kids who won't have even that support. probably for the best.

but at the same time, it's one less space for a lonely kid raised in a controlling family to access.

[pinkyplushiemaker]

New 2025 Commission Information

Commission Information and Terms of Service

Information on Artist.

I started my plush work in 2013. I have worked hard on developing my style and process over the years. I create my embroidery and patterns from scratch, so everything I make is one of a kind. I do not sell my patterns because they are not normal and only I can understand how they come together. I live in West Virginia, USA. I can ship all over the country and internationally. I live in a dog, bird, and reptile friendly home. I love anime/manga, superhero movies/tv/comics, horror movies, animals, art, and making plushies.

My Plush Work

I work with minky fabric since it’s the highest quality I can use to make my work the best quality possible. I can also use faux furs, long pile minky, mochi fabric, fleece, and cotton if needed (or requested). I use upholstery thread when sewing my plush together. The thread is incredibly strong and the chances of pieces coming apart are very low. If they do come apart (very uncommon), just message me and I will fix and reinforce the piece.

My work is considered “art��, not factory produced for the general public. This means that they are unique and special, but it also means they are not really meant to be handled roughly, crushed, and/or given to very small children. They are pretty durable since they are plush, but any material can wear over time when they are over “loved” (lol). Taking them on adventures, and carrying them around is totally welcomed, just please go easy on the tug and pull <3

Ordering a Plush

Please feel free to reach out to me through Twitter (X), Tumblr, Instagram, or Facebook. I do my best to answer as soon as possible, but you are welcome to message again in case I have not replied after a few days. (I can get busy with the Plush Business, my full-time job, and taking care of my pets.)

Let me know what you are looking to have made. (I can make humans, animals, creatures, cars, robots etc.) Let me know what size and style you are thinking of and if there is a certain time you would like to have it made by. (It normally takes about 2-4 weeks, it depends on if I need to order anything specific.) Please provide images if possible (if you want something unique and only have a description, I can do a rough concept of the character for you, or if you would like to commission me to do art of the character, please feel free to request it). Once I have this information, I will give you a price quote. The quote will only be for the plush, this will not include the shipping or taxes. If you agree to the price, I will request an email from you and will send an invoice. It will list all the details for the transaction, including shipping and tax. The invoice is through PayPal Goods and Services, so we are both protected.

Once the payment is made, you are added to the queue. Before I start on the plush, I will create a concept for it. In this stage (and only in this stage) you are welcome to make any updates to the design. (For example: preferring a different color, wanting the eyes to be bigger, not wanting a certain part included etc.) I will do my best to get as close to the concept as possible. It will never be exact, but I do normally get really close. After the concept is finished, I will share fabric colors to ensure they are right.

Once everything is approved, I will create the pattern and embroidery files. Next, I will embroider the fabric and cut out the pattern. Finally, I will sew the plush together and share the final plush in our communication. I will need you to share the preferred name and address for the shipment. Once this information is provided, I will pack up the plush and send it out. I will provide the tracking when it is on its way.

Shipping the Plush

My standard shipping is first-class and using a waterproof bubble mailer envelope. This keeps the shipping as low as possible. ($7 within the US, $25 International)

For 2025, I am offering priority and over-night shipping (overnight only available in US). I am also offering the option to ship within a box instead of a bubble mailer. These options will be much higher prices and can be discussed while setting up the commission.

Please note, once I ship a plush and provide a tracking number. It is out of my hands.

Canceling a Commission

You have 1 week after ordering to cancel a commission. If I ordered materials for the project, it will be deducted from the total.

If a plush is not correct (and it is due to my mistake), I can grant a full refund. Unless I am able to fix the issue. The mistake would be due to me not using the correct color fabric, missing an important detail from the concept etc. Just not liking a plush or deciding you don’t want to pay for a plush once it is made are not valid reasons. I have various examples of my work and before commissioning me, please review my pages to make sure you like my style and quality.

Final Note

I am more than happy to work with someone to make a plush they can afford and love. Since all of my plush are custom and I make all the patterns and embroidery, I can make adjustments easily. For example, I can make the plush smaller and contain less details. I will be happy to explain what parts are causing the higher price and we can work out other options. I believe PayPal has options to make multiple payments too, so I can still get full payment and you wont need to pay in full right away.

Thank you for reading!! I hope I can bring your favorite characters to life 😊